Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
挺白痴的，尤其是警察和反派的设定，开保险箱部分也乏善可陈。
这个影片告诉我们，无论干多大的事，仪式感也绝对是必不可少的。不过最后码头对峙那点，怎么可能只来了一个警察？这真的不合理...男主呢，作为一个普通得不能再普通的小职员，瞬间就会开快艇...还是有我喜欢的地方的，开头男主作为小职员的一天的描述，雨中吃午餐，画面很美，后来辗转的各个城市，也都很美，尤其是布拉格那个银行的取景地，是疫情前最后一次旅游曾经到过的地方，怀念的情感瞬间喷涌而出。
4.5
有趣得中规中矩，看在自导自演还得替扎导背锅的份上加点同情分。这类侠盗片重点在于团队成员间擦出火花以及关卡解谜的交互设计，本作都还实施得略有小成。片尾强行衔接的彩蛋又糊又晃啥都看不清，一眼就知道是扎导抢来拍的。其实网飞想搞扎导宇宙我不反对，但这样前传大电影硬拍实在是不开窍浪费企划：侠盗团每位成员先来个三十分钟前传短篇，大牌点的演员可以拍四到八集迷你剧让其他成员客串，等大家混脸熟了再来复联式组团开副本不香吗。
我觉得还不错，剧情我是觉得没啥毛病，只是故事可以讲得再简单点，时间短一些要好点，欧洲的风光从电影里看还真是美丽啊。
我看过的第1381部电影，《神偷军团》我给6.4分。
开了两个锁后回到自己的破屋的时候，也有种《心灵奇旅》里男主得到了梦寐以求的爵士演出后那种“辉煌过后”的落寞感，不过很可惜又马上开始fun了…
文戏真得是相当尴尬和注水，破解金库的声画表现也是千篇一律，不过这种简单直给的男主不多见，我还是挺喜欢的。
1. 其实就是屌丝赢得美人归，和国产3流意淫片没啥区别。2. 无聊的开锁过程要经历三次。3. 知道为什么男主骑个自行车就能躲开警方的追捕，回家后还想着继续去上班吗？他是导演，明白了吧。4. 看到结尾才想起《活死人军团》里的锁匠就是他，但不记得死没死。
11.6晚，其实应该选择看曼市德比的，可能还精彩一点。
我说为啥会拍一部锁匠的前传，原来导演就是本人hhh
就是来看女主角的，什么剧情什么逻辑，完全没有
娱乐性还行，风景可以，颜值可以，卖萌可以。感觉男2和开车的哥们完全工具人。。。
但是整体故事很弱，神没有，偷一点。
Fan of bank heist, the film was glamorous, but the story was not that good. I like the naming after Richard Wagner’s opera.
看过活死人军团的可以一看这一部前传，新意还是有的，但总体上是一部普通的网络电影。
3.5吧，比上一部剧情流畅多了，锁的机关破解视觉呈现也很有意思，可惜后面剧情有点垮了
有趣得中规中矩，看在自导自演还得替扎导背锅的份上加点同情分。这类侠盗片重点在于团队成员间擦出火花以及关卡解谜的交互设计，本作都还实施得略有小成。片尾强行衔接的彩蛋又糊又晃啥都看不清，一眼就知道是扎导抢来拍的。其实网飞想搞扎导宇宙我不反对，但这样前传大电影硬拍实在是不开窍浪费企划：侠盗团每位成员先来个三十分钟前传短篇，大牌点的演员可以拍四到八集迷你剧让其他成员客串，等大家混脸熟了再来复联式组团开副本不香吗。
感觉平平无奇，开保险柜这个噱头一部电影用三次就很无趣了
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