Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
TV动画第6话~第10话总集篇《浅草篇》
补标，虽然自己不是新兰，但是还是好甜氛围画面都很喜欢
看新一跟小兰的对白，属实是老脸一红，太甜了吧
求求扎导别再碰蝙蝠侠了，从BVS到JL的形象都与真正的蝙蝠侠背道而驰越走越远，永远没有get到蝙蝠侠真正的魅力，从BVS里机枪扫射罪犯，到JL里掏钱贿赂海王亚瑟让他自爆身份、再到和小闪的尬聊:“我的超能力有钱”。
高甜！这才是名侦探柯南应该有的“日常”水平，最开始不是这样的吗？怎么现在难得一场“正常发挥”都要让我兴奋半天😭主题曲大爱，给剧集增色不少。
等了二十年啊，新一和小兰终于正式交往了！还要多久才能等到初吻呢！
之前看过一个脑洞:工藤新一早在第一集被下药后就死了，小兰无法接受事实，于是精神错乱，假装新一还活着，还妄想出一个柯南来替代新一，这也是为什么柯南和新一童年那么像，因为在小兰的假想中这就是一个人。毛利大叔看不得女儿这么痛苦，于是配合她一切的表演，其实每次破案都是大叔自己破的。
哇哇哇哇～柯南和新一亲亲惹，虽然只是脸蛋。看了这么久的柯南，终于看见以新一的身份和小兰呆一整部剧惹！但是最后的kiss竟然没有亲到，真的吊观众胃口呀！这部剧电影真的还挺感慨的，日常的沟通真的挺重要的，还是不要冲动。最后！！！基德真的好帅啊！！！好想做他的妹妹哈哈哈哈哈哈哈！
现在再看柯南，都觉得里面人物的行为逻辑太奇葩了哈哈哈，冷血与自然熟络并存；
从清水的舞台上跳下去。 当时带妈妈去京都玩，走到清水寺我也是这么和妈妈说的 ❤️
虚高的分…😓抓住柯南的规律，提前锁定了凶手，反而有点失望（咳
总觉得服部对新一才是真爱，不然不会只在有新一的时候才想着怎么向和叶告白，还要比过新一的那种……
和今年绯色子弹相比高下立判
内心小鹿乱撞〃∀〃
哎，都九百多集了，才亲到脸颊？好歹是新兰确定恋爱关系的大事件，撒花五颗星。
这么虐的两人爱情终于是修成正果了，但是刀还继续。不过这个看得很快乐。破案算啥。
难得新一出现了，还确定了关系，就凭这个也值得一看。
新兰！泪目，这么多年从我小学到大学快毕业了，就冲亲那一下，就得给满分。
把 SP 联播进剧集里，还以为有其他可期待。
88分钟，8.5/10，犯罪推理类动画，关键词：新兰之吻。
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